“American Eccentric Cinema and Metafictive Pastiche” in Routledge Companion to Metafiction (in-press, forthcoming 2026)
“Dialogue” in Vincent Longo and Matthew Solomon, eds., The Audiovisual Lexicon (Ann Arbor: University of Michigan Press, forthcoming 2026, in post-production).
“What is Metamodern Pastiche?” co-authored with Timotheus Vermeulen, in Metamodern Pastiche (dossier, co-edited with Timotheus Vermeulen) Screen, Volume 65, Issue 1, Spring 2024, Pages 116–120 https://academic.oup.com/screen/article/65/1/116/7632059
“Genre Pastiche and Community“, co-authored with Timotheus Vermeulen, in Metamodern Pastiche (dossier, co-edited with Timotheus Vermeulen) Screen, Volume 65, Issue 1, Spring 2024, Pages 160–168 https://academic.oup.com/screen/article/65/1/160/7632061
“Jonze, Spike (1969-), An Introduction to.” Contemporary Literary Criticism, edited by Rebecca Parks, vol. 517, Gale, 2023, pp. 183-185. Gale Literature Criticism https://go-gale-com.ezproxy.uio.no/ps/i.do?p=LCO&u=oslo&id=GALE|GVIHHV865363327&v=2.1&it=r&sid=bookmark-LCO&asid=05d0eedf
(Reprint chapter from American Eccentric Cinema) “Road Films and National Identity.” Contemporary Literary Criticism, edited by Rebecca Parks, vol. 517, Gale, 2023, pp. 261-277. Gale Literature Criticism
“Empathetic Effort in Where’d You Go, Bernadette and Bernie” In Refocus: The Films of Richard Linklater. edited by Kim Wilkins and Timotheus Vermeulen, 157-175, 2022, Edinburgh: Edinburgh University Press.
“Introduction: Linklater’s Itinerant Oeuvre”, co-authored with Timotheus Vermeulen, In Refocus: The Films of Richard Linklater. edited by Kim Wilkins and Timotheus Vermeulen, 1-12, 2022, Edinburgh: Edinburgh University Press.
“Familiar Spectacles: Club Space in TV Berlin” Mediapolis, Dossiers no.2 vol. 7 Television Cities, 2022. https://www.mediapolisjournal.com/2022/06/familiar-spectacles/
“Indie Courtship: Pursuing the American New Wave.” In New Wave, New Hollywood: Reassessment, Recovery, and Legacy, edited by Nathan Abrams and Gregory Frame, 201–220. New York: Bloomsbury Academic, 2021. 10.5040/9781501360374.ch-011
“Babylon Berlin’s bifocal gaze” Screen, Volume 62, Issue 2, Summer 2021, Pages 135–155, https://doi.org/10.1093/screen/hjab019
“Creative Resistance: Noah Baumbach’s Literary Filmography” Textual Practice vol 36 no. 2 (2021) https://www.tandfonline.com/doi/full/10.1080/0950236X.2021.1965293
“Lotte in Weimar: Sex and Poverty in Babylon Berlin” Cinephile 15.1 Cinematic Bodies (2021): 18–24. http://cinephile.ca/wp-content/uploads/Cinephile15.1FinalPagesVersion.pdf
“Gentrification by Genre? The Berlin Romcom” NECSUS #Solidarity, Spring 2021 https://necsus-ejms.org/gentrification-by-genre-the-berlin-rom-com/
“These violent delights: Navigating Westworld as “quality” television” In Reading Westworld, edited by Antonia MacKay and Alex Goody. (2019), 23–41, London: Palgrave Macmillan.
“‘You can be John Malkovich’: Crisis and Celebrity in Being John Malkovich” In ReFocus: The Films of Spike Jonze, edited by Kim Wilkins and Wyatt Moss-Wellington. (2019), 67–85. Edinburgh: Edinburgh University Press.
“Introduction: Jonze Between the Lines”, co-authored with Wyatt Moss-Wellington, In ReFocus: The Films of Spike Jonze, edited by Kim Wilkins and Wyatt Moss-Wellington. (2019), 1–11. Edinburgh: Edinburgh University Press.
“Assembled Worlds: Intertextuality and Sincerity in the films of Wes Anderson” – Special edition: Wes Anderson, Texas Studies in Literature and Language 60.2 (2018).
“‘I don’t know who I am most of the time’: Constructed Identity in Todd Haynes’ I’m Not There.” Film Criticism 41.1 (2017).
“‘This, please, cannot be that’: The Constructed World of P.T. Anderson’s Magnolia.” Sydney Studies in English. 42. (2016): 59–85.
“Cast of Characters: Wes Anderson and Pure Cinematic Characterization.” In Wes Anderson: Critical Essays on and Indiewood Icon, edited by Peter C. Kunze (2014), 25–39. New York: Palgrave Macmillan.
“The Sounds of Silence: Hyper-Dialogue and American Eccentricity.” New Review of Film and Television Studies 11.4 (2013): 403–23.
Kim Wilkins 